Yavuz Alogan<\/p>\n\n\n\n
Tolstoy\u2019un \u00fcnl\u00fc roman\u0131 Anna Karenina<\/em> \u015fu c\u00fcmleyle ba\u015flar: \u201cB\u00fct\u00fcn mutlu aileler birbirine benzer, fakat her mutsuz ailenin kendine \u00f6zg\u00fc bir mutsuzlu\u011fu vard\u0131r.\u201d<\/p>\n\n\n\n San\u0131lan\u0131n aksine s\u00fcrekli yoksulluk aile mutsuzlu\u011funun sebebi de\u011fildir. Asl\u0131nda s\u00fcreklilik kazanan her \u015fey mutluluk veren farkl\u0131 al\u0131\u015fkanl\u0131klar\u0131 kendi i\u00e7inde bar\u0131nd\u0131rabilir. Aile zor da olsa bir \u015fekilde s\u00fcrd\u00fcrebildi\u011fi hayat\u0131n i\u00e7inde kendisini mutlu edecek pek \u00e7ok \u015fey bulabilir. <\/p>\n\n\n\n As\u0131l aile mutsuzlu\u011fu ani de\u011fi\u015fikliklerde, \u00e7\u0131k\u0131\u015flar\u0131 izleyen ini\u015flerde, ne\u015feli g\u00fcn\u00fcn ak\u015faml\u0131 oldu\u011fu anla\u015f\u0131ld\u0131\u011f\u0131nda ortaya \u00e7\u0131kar. Fakat bu da tek ba\u015f\u0131na aile mutsuzlu\u011funa neden olmaz. G\u00e2vurlar\u0131n \u201chubris \/ nemesis ard\u0131ll\u0131\u011f\u0131\u201d dedi\u011fi \u015feyin ger\u00e7ekle\u015fmesi gerekir. Buna g\u00f6re hayat, kibirli olandan, yanl\u0131\u015f yapandan mutlaka intikam\u0131n\u0131 al\u0131r. Yolsuzluk, sahtek\u00e2rl\u0131k, nank\u00f6rl\u00fck, ink\u00e2rc\u0131l\u0131k ve a\u015f\u0131r\u0131 bor\u00e7lanmayla g\u00fc\u00e7 ve servet edinen y\u0131rt\u0131c\u0131 a\u00e7g\u00f6zl\u00fclerin kap\u0131ld\u0131klar\u0131 \u201c\u015fah\u00e2ne hayat yan\u0131lsamas\u0131\u201d ger\u00e7e\u011fin sert kayas\u0131na \u00e7arparak da\u011f\u0131ld\u0131\u011f\u0131nda, ailenin sureti ger\u00e7e\u011fin aynas\u0131nda belirir ve mutsuzluk i\u015fte o zaman ba\u015flar. Aile i\u00e7inde itaatsizlik ba\u015f g\u00f6sterir.<\/p>\n\n\n\n Fakat itaatsizlik \u00f6nce ailenin yak\u0131n\/organik \u00e7evresinde belirir. Avantac\u0131lar kendilerini mutlu edecek yeni bir reis aray\u0131\u015f\u0131yla merkezden uzakla\u015f\u0131rlar. Har\u00e7l\u0131\u011f\u0131 kesilen o\u011flan isyan eder, aileyi iflasa s\u00fcr\u00fckleyen damat pencereden atlay\u0131p ka\u00e7ar, ailenin servet edinmi\u015f uzak yak\u0131n akrabalar\u0131 denklerini toplayarak mallar\u0131n\u0131 m\u00fclklerini deniza\u015f\u0131r\u0131 \u00fclkelerde emniyet alt\u0131na almaya \u00e7al\u0131\u015f\u0131rlar.<\/p>\n\n\n\n Cervantes, Don Ki\u015fot<\/em>\u2019u yazarken, roman\u0131n bir yerinde \u015e\u00f6valye\u2019ye ger\u00e7ekleri g\u00f6sterecek bir karakter yaratma ihtiyac\u0131 duyar, \u00e7\u00fcnk\u00fc roman fazla uzam\u0131\u015ft\u0131r, tekrara d\u00fc\u015fmektedir. Bu ki\u015fi \u015e\u00f6valye\u2019nin yak\u0131n dostu Sanson Carrasco\u2019dan ba\u015fkas\u0131 de\u011fildir. Cervantes, onu Aynalar \u015e\u00f6valyesi k\u0131l\u0131\u011f\u0131nda Don Ki\u015fot\u2019un kar\u015f\u0131s\u0131na \u00e7\u0131kar\u0131r. D\u00fcello ba\u015flar. D\u00f6v\u00fc\u015f s\u0131ras\u0131nda Carrasco, aynal\u0131 kalkan\u0131n\u0131 \u015e\u00f6valye\u2019nin y\u00fcz\u00fcne tutarak ona ger\u00e7ek ismiyle, \u201cAlonso Quijano!\u201d diye seslenir, \u201cGer\u00e7e\u011fin aynas\u0131nda bak kendine, kitaplardan f\u0131rlam\u0131\u015f bir \u015farlatans\u0131n sen!\u201d Hayaller ger\u00e7e\u011fin sert kayas\u0131na \u00e7arparak da\u011f\u0131l\u0131r. Don Ki\u015fot, ger\u00e7e\u011fin aynas\u0131nda kendini g\u00f6r\u00fcr; \u201ciyileri koruyan ve k\u00f6t\u00fcleri cezaland\u0131ran\u201d erdemli bir \u015f\u00f6valye de\u011fil, hayalperest bir bunak oldu\u011funu fark eder ve yere serilir.<\/p>\n\n\n\n Don Ki\u015fot elbette masum bir roman kahraman\u0131d\u0131r. Fakat ger\u00e7ekle kar\u015f\u0131la\u015fma, bir \u201chakikat an\u0131\u201d ya\u015fama durumu, masum olmayan ger\u00e7ek hayat kahramanlar\u0131, \u00f6zellikle bu kahramanlar\u0131n a\u015f\u0131r\u0131 kibirli ve g\u00fc\u00e7l\u00fc olanlar\u0131 i\u00e7in de bir kaderdir. \u00d6zellikle yolsuzlu\u011fa, nepotizme batm\u0131\u015f, yasad\u0131\u015f\u0131 y\u00f6ntemlerle edindi\u011fi serveti gizleme tela\u015f\u0131na d\u00fc\u015fm\u00fc\u015f hevesk\u00e2r ve hayalperest diktat\u00f6rler g\u00fcn\u00fcn birinde mutlaka bir Aynalar \u015e\u00f6valyesi\u2019yle \u00e7arp\u0131\u015fmak zorunda kal\u0131rlar. Bu \u00f6rnekte Aynalar \u015e\u00f6valyesi a\u011f\u0131r siyas\u00ee, iktisadi ve toplumsal krizdir.<\/p>\n\n\n\n Bu krizin aynas\u0131nda diktat\u00f6r bozuntusu sadece kendi suretini g\u00f6rmekle kalmaz, halk kitleleri de e\u015fzamanl\u0131 olarak ba\u015flar\u0131ndaki \u015fahs\u0131n ger\u00e7ek durumunu g\u00f6r\u00fcrler. K\u00fc\u00e7\u00fck bir \u00e7ocuk Kral\u2019\u0131n \u00e7\u0131plak oldu\u011funu fark eder ve \u00e7evredeki insanlar\u0131n \u201cBug\u00fcn ne kadar \u015f\u0131ks\u0131n\u0131z ekselans, yeni kost\u00fcm\u00fcn\u00fcz size pek yak\u0131\u015fm\u0131\u015f\u201d dedi\u011fi yerde, \u201cKral \u00e7\u0131plak!\u201d diye ba\u011f\u0131r\u0131verir ve ortal\u0131k kar\u0131\u015f\u0131r.<\/p>\n\n\n\n Ya da T\u00fcrk oyun yazar\u0131 merhum G\u00fcng\u00f6r Dilmen\u2019in Midas\u2019\u0131n Kulaklar\u0131<\/em>\u2019nda yaratt\u0131\u011f\u0131 berber tiplemesine bakal\u0131m. Kral Midas\u2019\u0131n kulaklar\u0131 e\u015fek kulaklar\u0131d\u0131r ve onlar\u0131 \u015fapkas\u0131n\u0131n alt\u0131nda gizlemektedir. Bu ac\u0131 ger\u00e7e\u011fi onu her g\u00fcn t\u0131ra\u015f eden berberden ba\u015fka bilen kimse yoktur. Berber b\u00fcy\u00fck bir bask\u0131 alt\u0131ndad\u0131r ve \u00f6yle bir g\u00fcn gelir ki ger\u00e7e\u011fi saklaman\u0131n yaratt\u0131\u011f\u0131 i\u00e7 s\u0131k\u0131nt\u0131s\u0131na art\u0131k dayanamaz, ruhunu rahatlatmak i\u00e7in bir kuyunun i\u00e7ine \u201cMidas\u2019\u0131n kulaklar\u0131, e\u015f\u015fek kulaklar\u0131!\u201d diye hayk\u0131r\u0131r. Fakat ses kuyuda yank\u0131lanarak b\u00fcy\u00fcr. R\u00fczg\u00e2rda sal\u0131nan sazlar bu sesi b\u00fct\u00fcn \u00fclkeye yayar. Kral Midas deh\u015fete kap\u0131l\u0131r, adamlar\u0131na emir vererek sazlar\u0131 k\u00f6k\u00fcnden kestirir fakat bu kez ke\u00e7iler korosundan daha y\u00fcksek bir ses i\u015fitilir: \u201cMidas\u2019\u0131n kulaklar\u0131 e\u015f\u015fek kulaklar\u0131!\u201d<\/p>\n\n\n\n Aynalar \u015e\u00f6valyesi, \u00e7\u0131plak kral, e\u015fek kulakl\u0131 Midas gibi metaforlarda halk, s\u0131radan karakterlerin bilin\u00e7li ya da kendili\u011finden eylemiyle ger\u00e7e\u011fi \u00f6\u011frenir. Fakat bu eylem baz\u0131 \u00f6zel durumlarda gecikebilir. \u201cHakikat an\u0131\u201dn\u0131n geli\u015fi on y\u0131l\u0131, hatta yirmi y\u0131l\u0131 bulabilir. Gecikmenin en \u00f6nemli sebebi topluma yerle\u015fmi\u015f itaat k\u00fclt\u00fcr\u00fcd\u00fcr. \u0130taat k\u00fclt\u00fcr\u00fc insana rahatl\u0131k ve g\u00fcvenlik duygusu verir fakat vicdan\u0131n\u0131 ve akl\u0131n\u0131 k\u00f6reltir.<\/p>\n\n\n\n \u0130taat k\u00fclt\u00fcr\u00fc ailede ba\u015flar, okulda, askerlikte, fabrikada, tarlada, i\u015f yerinde, siyas\u00ee partide, \u00fclke y\u00f6netiminde devam eder. Kay\u0131ts\u0131z \u015farts\u0131z itaati emreden k\u00fclt\u00fcr her t\u00fcrl\u00fc hak arama m\u00fccadelesinin \u00f6n\u00fcnde duran en b\u00fcy\u00fck engeldir. Ve b\u00fct\u00fcn m\u00fccadelelerin ilk ad\u0131m\u0131, ku\u015fku duymakt\u0131r.<\/p>\n\n\n\n Ku\u015fku duyacaks\u0131n\u0131z. \u201cBunun vatanseverli\u011fi ger\u00e7ek mi yoksa siyaset icab\u0131 m\u0131?\u201d ya da \u201cBu adam ger\u00e7ekten lider mi, yoksa d\u00fcped\u00fcz \u015farlatan m\u0131?\u201d ya da \u201c\u0130\u015f\u00e7ilerin m\u00fccadelesi yabanc\u0131lar\u0131n \u00e7\u0131kar\u0131na hizmet ederek i\u00e7 cepheyi b\u00f6ler diyen birisi, emek-de\u011fer teorisi hakk\u0131nda bana ders verebilir mi?\u201d ya da \u201cMilleti \u00fcmmet gibi g\u00f6renin vatan\u0131 olur mu?\u201d ya da \u201cBug\u00fcnk\u00fc e\u011fitim sistemi on y\u0131l sonra nas\u0131l bir insan tipi \u00fcretecek?\u201d diye sordu\u011funuz anda, m\u00fccadeleye bir ad\u0131m atm\u0131\u015f olursunuz.<\/p>\n\n\n\n Atmazsan\u0131z ne olur? M\u00fccadeleye bir ad\u0131m atmazsan\u0131z, daha \u00e7ok beklersiniz, kay\u0131plar\u0131n\u0131z daha da artar. Sahte sendikan\u0131n ba\u015f\u0131ndaki s\u0131n\u0131f i\u015fbirlik\u00e7isi iktidar yalakas\u0131, \u201cdirene direne kazanaca\u011f\u0131z\u201d slogan\u0131n\u0131, rahatl\u0131kla \u201cdilene dilene kazanaca\u011f\u0131z\u201d slogan\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr; i\u015f\u00e7iler ul\u00fbfe bekleyen fakir-fukara-garip-guraba olarak tescil edilmi\u015f olurlar, b\u00f6ylece h\u00fck\u00fcmet, bug\u00fcn almad\u0131\u011f\u0131n\u0131 yar\u0131n fazlas\u0131yla alabilece\u011fini \u00f6\u011frenmi\u015f olur. Siyas\u00ee partiniz feodal bir beyli\u011fe d\u00f6n\u00fc\u015f\u00fcr, siz de beyin serfi ya da k\u00f6lesi olursunuz. Ayn\u0131 terfi s\u0131ras\u0131ndaki komutan h\u00fck\u00fcmete ya\u011f \u00e7ekerek r\u00fctbe al\u0131rken, sizi emekliye ay\u0131r\u0131rlar. \u0130\u015ften at\u0131l\u0131rs\u0131n\u0131z, kimse d\u00f6n\u00fcp y\u00fcz\u00fcn\u00fcze bakmaz. \u0130ktidar partisine \u00fcye olmazsan\u0131z girdi\u011finiz b\u00fct\u00fcn ihaleleri kaybedersiniz.<\/p>\n\n\n\n Sokakta sigara bile i\u00e7emezsiniz. Ba\u015f\u0131n\u0131zdaki meret sizin saat ka\u00e7ta soka\u011fa \u00e7\u0131kaca\u011f\u0131n\u0131z\u0131, sokakta ne yapaca\u011f\u0131n\u0131z\u0131 bile belirlemeye kalk\u0131\u015f\u0131r. Sinsice haz\u0131rlad\u0131\u011f\u0131 emek piyasas\u0131 yasalar\u0131yla sizi Amerikal\u0131n\u0131n, Alman\u0131n, \u00c7inlinin sermayesine ucuz i\u015fg\u00fcc\u00fc yapar, vatan\u0131n\u0131z\u0131 varl\u0131klar\u0131n\u0131z\u0131 limanlar\u0131n\u0131z\u0131 g\u00e2vura satar, sizi yurtta\u015f olmaktan \u00e7\u0131kar\u0131p t\u00fcketim ekonomisinin oyuncak m\u00fc\u015fterisine d\u00f6n\u00fc\u015ft\u00fcr\u00fcr, tarihinizi tabiat\u0131n\u0131z\u0131 k\u00fclt\u00fcr\u00fcn\u00fcz\u00fc bozar, hatta sizi daha iyi kontrol etmek i\u00e7in k\u0131\u00e7\u0131n\u0131za \u00e7ip takar.<\/p>\n\n\n\n \u201cB\u00fcy\u00fck meden\u00ee vasf\u0131n\u0131z\u0131\u201d size bir kez daha unuttururlar; Mustafa Kemal\u2019in dedi\u011fi gibi \u201catinin (gelece\u011fin) y\u00fcksek medeniyet ufkundan yeni bir g\u00fcne\u015f gibi\u201d do\u011famazs\u0131n\u0131z, bir Ortado\u011fu sultan\u0131n\u0131n tebaas\u0131 gibi karanl\u0131\u011fa g\u00f6m\u00fcl\u00fcrs\u00fcn\u00fcz. <\/p>\n\n\n\n Onca asker\u00ee darbenin, onca zulm\u00fcn, direni\u015fin, anayasa ve rejim m\u00fccadelesinin ard\u0131ndan b\u00fct\u00fcn bunlara raz\u0131 m\u0131 olacaks\u0131n\u0131z?<\/p>\n\n\n\n Demek ki itaat k\u00fclt\u00fcr\u00fcn\u00fc sorgulamak, r\u0131za g\u00f6stermemek gerekir. \u201cBu adam hangi yetkiyle tek ba\u015f\u0131na beni y\u00f6netiyor?\u201d ya da \u201cBu \u015fah\u0131s benim ad\u0131ma nas\u0131l b\u00f6yle kararlar verebiliyor?\u201d diye sordu\u011funuz zaman, iktidar\u0131n ba\u015f\u0131, sar\u0131 sendikan\u0131n a\u011fas\u0131, siyas\u00ee partinin kendini lider zanneden ba\u015fkan\u0131 size ger\u00e7e\u011fin aynas\u0131nda g\u00f6r\u00fcn\u00fcr, kuyular sesinizi b\u00fcy\u00fct\u00fcr, sazl\u0131klar sesinizi iletir ve insanlar meydanlarda toplan\u0131rlar, icab\u0131nda birer sigara yakarlar. Aksi h\u00e2lde hayat\u0131n\u0131z\u0131 etkileyen b\u00fct\u00fcn iktidar makamlar\u0131na gelen her bir ki\u015fi gideni aratacak, her yeni g\u00fcn ge\u00e7en g\u00fcnden daha beter olacakt\u0131r. Veryans\u0131n<\/em>, 13. 11. 2020<\/p>\n","protected":false},"excerpt":{"rendered":" Yavuz Alogan Tolstoy\u2019un \u00fcnl\u00fc roman\u0131 Anna Karenina \u015fu c\u00fcmleyle ba\u015flar: \u201cB\u00fct\u00fcn mutlu aileler birbirine benzer, fakat her mutsuz ailenin kendine \u00f6zg\u00fc bir mutsuzlu\u011fu vard\u0131r.\u201d San\u0131lan\u0131n aksine s\u00fcrekli yoksulluk aile mutsuzlu\u011funun sebebi de\u011fildir. Asl\u0131nda s\u00fcreklilik kazanan her \u015fey mutluluk veren farkl\u0131 al\u0131\u015fkanl\u0131klar\u0131 kendi i\u00e7inde bar\u0131nd\u0131rabilir. Aile zor da olsa bir \u015fekilde s\u00fcrd\u00fcrebildi\u011fi hayat\u0131n i\u00e7inde kendisini mutlu … <\/p>\n