Yavuz Alogan<\/p>\n\n\n\n
Yirmi y\u0131l \u00f6nce bu g\u00fcnlerde 12 Eyl\u00fcl d\u00f6neminden \u00e7\u0131k\u0131l\u0131yordu. Beyo\u011flu\u2019nda, Abd\u00fclhak Hamid soka\u011f\u0131nda bir apartman\u0131n ikinci kat\u0131ndaki y\u00fcksek tavanl\u0131 bir dairede sosyalistler toplan\u0131yor, Birle\u015fik Sosyalist Parti\u2019nin kurulu\u015f \u00e7al\u0131\u015fmalar\u0131n\u0131 yap\u0131yorlard\u0131. S\u0131k\u0131y\u00f6netim yeni kalkm\u0131\u015ft\u0131. Geceleri kar alt\u0131ndaki sokaklar \u0131ss\u0131z oluyor, toplant\u0131lar ge\u00e7 saatlere kadar s\u00fcr\u00fcyordu. Apartman\u0131n \u00f6n\u00fcnde bir seyyar \u00e7ay oca\u011f\u0131 belirmi\u015fti. \u00c7e\u015fitli k\u0131l\u0131klara b\u00fcr\u00fcnm\u00fc\u015f adamlar, ayakta \u00e7ay i\u00e7iyor, geleni gideni s\u00fcz\u00fcyorlard\u0131. Daha sonra \u00e7ay oca\u011f\u0131n\u0131n yerini camlar\u0131 karart\u0131lm\u0131\u015f beyaz bir minib\u00fcs ald\u0131. \u0130\u00e7indeki en yeni teknolojik aletlerin b\u00fct\u00fcn sesleri s\u00fczerek sadece ikinci katta konu\u015fulanlar\u0131 tespit etti\u011fi s\u00f6yleniyordu.<\/p>\n\n\n\n
Ben, Ahmet Kaya ad\u0131n\u0131 ilk kez o apartman\u0131n giri\u015fine yap\u0131\u015ft\u0131r\u0131lm\u0131\u015f bir afi\u015fte g\u00f6rd\u00fcm. Can Y\u00fccel g\u00f6rseydi, \u201c\u015ear\u00e2bi e\u015fk\u0131ya,\u201d derdi. \u00d6ylesine sa\u00e7 ba\u015f da\u011f\u0131n\u0131k, \u00e7at\u0131k ka\u015fl\u0131, sakall\u0131 b\u0131y\u0131kl\u0131 bir resim; me\u015fin ceket alt\u0131nda g\u00f6\u011f\u00fcs ba\u011f\u0131r a\u00e7\u0131k. Bir konser il\u00e2n\u0131 m\u0131yd\u0131, neydi, hat\u0131rlam\u0131yorum. Resmin alt\u0131nda \u015f\u00f6yle yaz\u0131yordu: \u201cSana F\u0131rt\u0131nalar Yak\u0131\u015f\u0131r Ahmet Kaya.\u201d<\/p>\n\n\n\n
Bir \u015fark\u0131c\u0131n\u0131n kendisine f\u0131rt\u0131na yak\u0131\u015ft\u0131rmas\u0131 o s\u0131rada beni g\u00fcld\u00fcrm\u00fc\u015ft\u00fc. As\u0131l f\u0131rt\u0131na yak\u0131nda kopacakt\u0131. Tarih tekerr\u00fcr edecek ve 12 Mart d\u00f6neminden sonraki gibi b\u00fcy\u00fck bir kitlesel hareket gelecekti. Tabi\u00ee o s\u0131rada 12 Eyl\u00fcl\u2019\u00fcn ne kadar derin bir tahribat yaratt\u0131\u011f\u0131n\u0131, ard\u0131ndan ba\u015flayan \u00d6zal d\u00f6neminin halk\u0131n beklentilerini nas\u0131l de\u011fi\u015ftirdi\u011fini, iyice asr\u00eele\u015fen medyan\u0131n insanlar\u0131n beynini nas\u0131l zapt etmeye ba\u015flad\u0131\u011f\u0131n\u0131, gen\u00e7lerin aile ve okul kapan\u0131na d\u00fc\u015ferek siyasetten nas\u0131l yal\u0131t\u0131ld\u0131\u011f\u0131n\u0131 hen\u00fcz kimse fark etmemi\u015fti. Fakat o s\u0131rada s\u00fcrd\u00fcr\u00fclen sosyalist birlik faaliyeti ile \u201csana f\u0131rt\u0131nalar yak\u0131\u015f\u0131r\u201d s\u00f6z\u00fc zihnimde bir \u015fekilde \u00f6zde\u015flendi. O g\u00fcnk\u00fc ortamda bu s\u00f6z biraz g\u00fcl\u00fcn\u00e7 biraz da h\u00fcz\u00fcn vericiydi.<\/p>\n\n\n\n
Bu ilk tan\u0131\u015fmadan sonra Ahmet Kaya\u2019dan kurtulmak imk\u00e2ns\u0131z hale geldi. Doksanl\u0131 y\u0131llar boyunca her yerde, sokaklarda, kahvehanelerde, caf\u00e9\u2019lerde, toplant\u0131 salonlar\u0131nda, dolmu\u015flarda, kaset\u00e7ilerin \u00f6n\u00fcnde, kitap\u00e7\u0131larda Ahmet Kaya \u00e7al\u0131yordu. Daha sonra televizyona s\u0131\u00e7rad\u0131; hangi kanal\u0131 a\u00e7san\u0131z kar\u015f\u0131n\u0131zda Ahmet Kaya! Biraz bo\u011fuk, derinlerden gelen sesine darbe y\u0131llar\u0131n\u0131n olanca yaln\u0131zl\u0131\u011f\u0131 ve efk\u00e2r\u0131 yans\u0131yordu. Bitmi\u015f bir d\u00f6nemin \u00f6zverilerini, tehlikelerini, \u00f6denen bedelleri, \u00e7ekilen ac\u0131lar\u0131, sanki biraz da nostalji katarak anlat\u0131yordu. Doksanl\u0131 y\u0131llarda Yusuf Hayalo\u011flu\u2019nun, Attila \u0130lhan\u2019\u0131n, Ahmet Arif\u2019in \u015fiirleri onun m\u00fczi\u011fiyle hayat buldu. Halk onu seviyordu, kasetlerini herkes dinliyordu. <\/p>\n\n\n\n
Ben dinlemiyordum. Kafam\u0131n i\u00e7inde onu bir t\u00fcr sol-arabesk olarak etiketlemi\u015f ve bir zarf\u0131n i\u00e7ine koyup kald\u0131rm\u0131\u015ft\u0131m. Yapt\u0131\u011f\u0131 i\u015f farkl\u0131 bir m\u00fczi\u011fe al\u0131\u015fm\u0131\u015f kula\u011fa \u00e7ok yabanc\u0131yd\u0131. Ancak Ahmet Kaya\u2019n\u0131n sesi ve s\u00f6zleri zihinde yer ediyordu. Hi\u00e7 olmad\u0131k bir yerde, \u201cBa\u015f\u0131m belada, d\u00fc\u015f\u00fcrm\u00fc\u015f\u00fcm tabancam\u0131 helada\u201d diyordu mesela. Yollar tutulmu\u015f, \u201cyasal mermisiyle bir komiser yakla\u015fmakta!\u201d Bu arada kendi g\u00f6\u011fs\u00fcnde, \u201ckirli sakal\u0131yla bir e\u015fk\u0131ya gezinmekte.\u201d Ak\u0131lda kolayca yer eden, duruma uygun d\u00fc\u015fen s\u00f6zler: \u201cPiposu a\u011f\u0131z kenar\u0131nda\/…\/Herkesi yarg\u0131lamaktan\/Kimse kalmam\u0131\u015f yan\u0131nda.\u201d Bu kadar m\u0131 olur yani! Ya da \u201c\u00d6l\u00fcm\u00fc \u00f6zledim anne\/Ya\u015famak isterken delice\u201d veya \u201cEzdirmem sana kendimi\/…\/ Kafama s\u0131kar giderim.\u201d<\/p>\n\n\n\n
B\u00f6ylece, hayat\u0131n i\u00e7inde gezinirken, Ahmet Kaya sesleri belle\u011fin iradeden ba\u011f\u0131ms\u0131z a\u011f\u0131na yakalanarak zapt edilmeye, birikmeye ba\u015flad\u0131. Bu biriken s\u00f6z ve m\u00fczik par\u00e7alar\u0131 Ahmet Kaya\u2019n\u0131n 2000 y\u0131l\u0131n\u0131n Kas\u0131m\u2019\u0131nda Paris\u2019te \u00f6l\u00fcm\u00fcnden sonra y\u00fczeye \u00e7\u0131kt\u0131 ve ben onu dinlemeye ba\u015flad\u0131m, anlamaya \u00e7al\u0131\u015ft\u0131m. Asl\u0131nda bu dinleme ve anlama s\u00fcrecini, uzun y\u0131llar cezaevinde kalm\u0131\u015f bir arkada\u015f\u0131m\u0131n \u015fu s\u00f6zleri tetikledi: \u201c\u0130\u00e7eride solcusu, sa\u011fc\u0131s\u0131, herkes onu dinliyordu.\u201d<\/p>\n\n\n\n
Ahmet Kaya, Malatyal\u0131d\u0131r, babas\u0131 i\u015f\u00e7idir, ilk konserini babas\u0131n\u0131n fabrikas\u0131nda \u00e7al\u0131\u015fan i\u015f\u00e7ilere vermi\u015ftir. Kaset d\u00fckk\u00e2n\u0131nda \u201cdurmu\u015f\u201d, \u0130stanbul\u2019un sokaklar\u0131n\u0131 ar\u015f\u0131nlam\u0131\u015f, Halk Bilimleri Derne\u011fi\u2019nde saz\u0131n\u0131 ilerletmi\u015f, \u201cdevrimci geceler\u201dde sahne alm\u0131\u015ft\u0131r. \u201cDevrimcilik\u201d onun i\u00e7in fiili bir eylemlilikten \u00e7ok, bizzat ya\u015famad\u0131\u011f\u0131 bir d\u00f6neme \u00f6zlem ya da gelece\u011fe d\u00f6n\u00fck bir umut olsa gerektir. Zira 12 Mart d\u00f6neminde 13 ya\u015f\u0131ndad\u0131r. 1978\u2019de askere gitmi\u015f, a\u015fa\u011f\u0131 yukar\u0131 alt\u0131 y\u0131l s\u00fcren 12 Eyl\u00fcl d\u00f6nemini eylem a\u00e7l\u0131\u011f\u0131 i\u00e7inde saz\u0131n\u0131n teline vuran bir gen\u00e7 adam olarak ge\u00e7irmi\u015ftir. Aray\u0131\u015f i\u00e7indedir, k\u0131sa s\u00fcreli\u011fine hapse girmek istedi\u011fini s\u00f6yler. Ama kimse onu hapse atmamaktad\u0131r. Kafas\u0131 kar\u0131\u015f\u0131kt\u0131r. D\u00fczeni, zenginleri vb. ele\u015ftirdi\u011fi ilk alb\u00fcm\u00fcne T\u00fcrk Ordusu\u2019nun Kurtulu\u015f Sava\u015f\u0131\u2019ndaki kahramanl\u0131klar\u0131n\u0131 anlatan bir \u015fark\u0131 koyar. 1985 y\u0131l\u0131d\u0131r, i\u015fsizdir, sokaklarda a\u00e7 gezmektedir.<\/p>\n\n\n\n
Ruhi Su\u2019yu \u00f6fkelendirmesi onun \u00f6zg\u00fcn bir ba\u011flama sanat\u00e7\u0131s\u0131 oldu\u011funu g\u00f6sterir. \u201cMahsus Mahal\u201di \u00e7alan Ahmet Kaya\u2019ya \u015f\u00f6yle demi\u015ftir b\u00fcy\u00fck usta: \u201c\u00d6yle at teper gibi ba\u011flama \u00e7al\u0131nmaz, ba\u011flama ile me\u015fk edilir.\u201d<\/p>\n\n\n\n
Ahmet Kaya doksanl\u0131 y\u0131llarda edindi\u011fi b\u00fcy\u00fck \u015f\u00f6hretle yetinecek biri de\u011fildi. L\u00fcks arabalar, yatlar edinip magazin sosyetesine kat\u0131lacak ya da kanad\u0131na mektup yazd\u0131\u011f\u0131 g\u00fcvercini holding medyas\u0131na salacak biri de de\u011fildi. Miting yapt\u0131ktan sonra meydan\u0131 s\u00fcp\u00fcren, her eylemini tatl\u0131 bir \u015fenlik havas\u0131 i\u00e7inde g\u00fcle oynaya ger\u00e7ekle\u015ftiren, bitmek bilmez tart\u0131\u015fmalarla \u00e7alkalanan, \u00f6fkesi d\u0131\u015fa de\u011fil i\u00e7e do\u011fru patlayan solcu partiler ya da lideri karizmatik dar b\u00fcrokratik \u00f6rg\u00fctler onu kesmiyordu. O kendisine yak\u0131\u015fan f\u0131rt\u0131nay\u0131 ar\u0131yordu. Programatik ya da teorik de\u011fil, eylemciydi; ve bir \u00e7alg\u0131c\u0131 olarak alg\u0131lanmak istemiyor, b\u00fcy\u00fck kavgalar\u0131n i\u00e7ine dalmak istiyordu.<\/p>\n\n\n\n
Bu arada, 1990 y\u0131l\u0131nda G\u00fclhane Park\u0131\u2019nda verdi\u011fi konseri 150 000 ki\u015finin, sloganlarla, alk\u0131\u015flarla izledi\u011fini unutmayal\u0131m. Kendisini dinleyenleri bir t\u00fcr taraftar kitlesi gibi g\u00f6rmedi\u011fini ya da birilerinin onun arac\u0131l\u0131\u011f\u0131yla o kitlenin ruhuna n\u00fcfuz etmek istemedi\u011fini kim s\u00f6yleyebilir?<\/p>\n\n\n\n
Ahmet Kaya doksanl\u0131 y\u0131llar\u0131n ba\u015f\u0131nda tek ba\u015f\u0131na toplumsal bir g\u00fc\u00e7 haline geldi ve \u00f6zellikle K\u00fcrt dili ve da\u011flarla ilgilenmeye ba\u015flad\u0131ktan sonra d\u00fczenin g\u00fc\u00e7leri taraf\u0131ndan tehlikeli biri olarak alg\u0131land\u0131. Da\u011flara \u015fark\u0131 d\u00fcz\u00fcyordu. \u201c\u015eark\u0131lar\u0131m Da\u011flara\u201d isimli alb\u00fcm\u00fc 2 milyon 800 bin adet bandroll\u00fc sat\u0131\u015f ger\u00e7ekle\u015ftirdi.<\/p>\n\n\n\n
PKK\u2019yla ili\u015fkisi var m\u0131yd\u0131? Bilmiyoruz. Ancak da\u011flarda verilen sava\u015fa b\u00fcy\u00fck bir sempati duyuyor, kendisine yak\u0131\u015fan f\u0131rt\u0131nan\u0131n g\u00fcneydo\u011fudan esti\u011fine inan\u0131yordu besbelli.<\/p>\n\n\n\n
O y\u0131llarda PKK Marksist ve anti-emperyalist bir ulusal kurtulu\u015f hareketi olarak g\u00f6r\u00fcl\u00fcyor, K\u00fcrt olmayan sosyalistleri de cezbediyordu. \u00d6rg\u00fct\u00fcn Serok\u2019u hen\u00fcz \u015eamdan ayr\u0131l\u0131p d\u00fcnyan\u0131n b\u00fct\u00fcn istihbarat \u00f6rg\u00fctleri taraf\u0131ndan ping pong topu gibi oradan oraya savrulduktan sonra T\u00fcrk istihbarat\u0131n\u0131n eline ge\u00e7memi\u015f; g\u00f6zba\u011f\u0131 a\u00e7\u0131ld\u0131\u011f\u0131 anda milyonlarca tv. izleyicisinin g\u00f6z\u00fc \u00f6n\u00fcnde, \u201cBenim anam da T\u00fcrkt\u00fcr; size her konuda yard\u0131mc\u0131 olurum,\u201d dememi\u015f; g\u00fcd\u00fcml\u00fc siyasetini \u0130mral\u0131\u2019dan s\u00fcrd\u00fcrmeye ba\u015flamam\u0131\u015ft\u0131. PKK \u00f6nderli\u011fi hen\u00fcz, \u201cK\u00fcrt halk\u0131 Amerikal\u0131lar\u0131 T\u00fcrk halk\u0131ndan daha \u00e7ok sever,\u201d gibi deme\u00e7ler vermiyor, CIA taraf\u0131ndan \u0130ran halk\u0131na kar\u015f\u0131 kullan\u0131lm\u0131yordu. Ahmet Kaya bug\u00fcn ya\u015fananlara tan\u0131k olsayd\u0131, Mandela, Yaser Arafat ya da Che Guevara gibi adamlar\u0131n benzer durumlarda nas\u0131l davrand\u0131klar\u0131n\u0131 inceler, \u00f6nderli\u011fin kolay i\u015f olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcrd\u00fc belki de. Belki de d\u00fc\u015f\u00fcnmezdi. Belki de \u015eeyh\u2019in her kel\u00e2m\u0131na bir teori bina ederek \u201cteorisyen\u201d olurdu. Bilemeyiz.<\/p>\n\n\n\n
\u00d6zetle, Ahmet Kaya doksanl\u0131 y\u0131llar\u0131n ba\u015f\u0131nda kendisine yak\u0131\u015fan f\u0131rt\u0131nay\u0131 bulmu\u015f ve cesaretle i\u00e7ine dalm\u0131\u015ft\u0131. Kendisine uzat\u0131lan her mikrofona K\u00fcrtlerden ve K\u00fcrt\u00e7e\u2019den s\u00f6z ediyor, saz\u0131n\u0131 ve s\u00f6z\u00fcn\u00fc b\u00fct\u00fcn tv. kanallar\u0131ndan halka ak\u0131t\u0131yor, konserlerinde kalabal\u0131klar\u0131 co\u015fturuyordu. <\/p>\n\n\n\n
Bu d\u00f6nem 10 \u015eubat 1999 gecesi ans\u0131z\u0131n sona erdi ve Ahmet Kaya\u2019n\u0131n medyatik d\u00fc\u015f\u00fc\u015f\u00fc ba\u015flad\u0131. Magazin Gazetecileri Derne\u011fi\u2019nin d\u00fczenledi\u011fi ankette halk Ahmet Kaya\u2019y\u0131 1998 y\u0131l\u0131n\u0131n sanat\u00e7\u0131s\u0131 se\u00e7mi\u015fti. \u00d6d\u00fcl\u00fc verilecekti. \u00d6d\u00fcl t\u00f6reni Show tv. taraf\u0131ndan naklen yay\u0131mlan\u0131yordu. Ahmet Kaya k\u0131sa te\u015fekk\u00fcr konu\u015fmas\u0131nda meydan okudu. Gelecek y\u0131l K\u00fcrt\u00e7e \u015fark\u0131lar s\u00f6yleyecekti. Bu \u015fark\u0131lar\u0131 yay\u0131mlayacak y\u00fcrekli televizyoncular \u00e7\u0131kacakt\u0131 mutlaka, e\u011fer \u00e7\u0131kmazsa halk onlardan hesap soracakt\u0131. Ard\u0131ndan, ac\u0131 bir tesad\u00fcf gibi, \u201cGiderim\u201d \u015fark\u0131s\u0131n\u0131 s\u00f6yledi: \u201cArt\u0131k seninle duramam\/Bu ak\u015fam \u00e7\u0131kar giderim\/Hesab\u0131m kals\u0131n mah\u015fere\/Elimi y\u0131kar giderim.\u201d \u015eark\u0131s\u0131n\u0131 bitirince ge\u00e7ip masas\u0131na oturdu.<\/p>\n\n\n\n
Yap\u0131lanlar \u00f6nceden tertiplenmi\u015f miydi? Bilinmiyor. Ama muhtemelen \u00f6yleydi, \u00e7\u00fcnk\u00fc olay\u0131n g\u00f6r\u00fcnt\u00fcleri memleketin b\u00fct\u00fcn tv. kanallar\u0131nda tekrar tekrar g\u00f6sterildi. Bu g\u00f6r\u00fcnt\u00fclerde Ahmet Kaya salonda bulunanlar taraf\u0131ndan yuhalan\u0131yordu. Kar\u0131s\u0131yla birlikte sessizce oturmakta oldu\u011fu masaya \u00e7atallar, b\u0131\u00e7aklar, \u00e7e\u015fitli yiyecek art\u0131klar\u0131, mezeler falan at\u0131l\u0131yordu. Bir y\u0131l sonra duracak y\u00fcre\u011fi acaba o s\u0131rada m\u0131 \u00e7atlam\u0131\u015ft\u0131? Ahmet Kaya sald\u0131r\u0131 ve hakaretlere hi\u00e7bir tepki g\u00f6steremedi. O masan\u0131n ba\u015f\u0131nda bembeyaz bir y\u00fcz ve ac\u0131 bir tebess\u00fcmle kalakald\u0131.<\/p>\n\n\n\n
Onun yerinde Y\u0131lmaz G\u00fcney olsayd\u0131 ne yapard\u0131, diye d\u00fc\u015f\u00fcnmez misiniz? Muhtemelen ond\u00f6rtl\u00fc Browning\u2019ini \u00e7ekmesiyle ortal\u0131\u011f\u0131 cehenneme vermesi bir olurdu; sekiz \u00f6l\u00fc be\u015fi a\u011f\u0131r on sekiz yaral\u0131 falan. Ya da sadece bak\u0131\u015flar\u0131yla o kalabal\u0131\u011f\u0131 durdurur, bu arada beyaz ceketinin yenini hafif\u00e7e geriye do\u011fru iterek belindeki emanetin kabzas\u0131n\u0131 h\u00e2ziruna te\u015fhir etmek suretiyle ortama demokratik bir s\u00fck\u00fbnetin h\u00e2kim olmas\u0131n\u0131 temin ederdi. Fakat Ahmet Kaya bunlar\u0131n hi\u00e7 birini yapamad\u0131. \u00d6yle biri de\u011fildi. \u0130\u00e7indeki mahcup ta\u015fral\u0131 \u00e7ocuk, o utanga\u00e7 ve hisli mahalle delikanl\u0131s\u0131, o \u00f6ks\u00fcz ve sevdal\u0131 gariban, onu tutukla\u015ft\u0131rd\u0131, kar\u015f\u0131s\u0131ndaki azg\u0131n ve zengin kalabal\u0131\u011fa kar\u015f\u0131 koymas\u0131n\u0131 engelledi. Ahmet Kaya e\u015fiyle birlikte salonu terk ederken magazin sanat\u00e7\u0131lar\u0131 ve davetliler, hep bir a\u011f\u0131zdan 10. Y\u0131l Mar\u015f\u0131\u2019n\u0131 s\u00f6yl\u00fcyorlard\u0131.<\/p>\n\n\n\n
Ard\u0131ndan tam bir lin\u00e7 kampanyas\u0131 ba\u015flad\u0131. Toplumu Ahmet Kaya\u2019dan ar\u0131nd\u0131rma faaliyetinin i\u015faret fi\u015fe\u011fini, b\u00f6yle durumlarda hep g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi, H\u00fcrriyet<\/em> gazetesi att\u0131: \u201cAy\u0131p Ettin G\u00f6z\u00fcm\u201d man\u015feti alt\u0131nda bir Ahmet Kaya resmi, arkas\u0131nda K\u00fcrdistan haritas\u0131. Ard\u0131ndan, \u201cVatana \u0130hanet\u201d su\u00e7lamas\u0131yla 13 y\u0131l hapis cezas\u0131 istemi geldi. Bas\u0131n ondan, \u201cYav\u015fak\u201d, \u201cSoysuz\u201d, \u201c\u015eerefsiz\u201d, \u201cAl\u00e7ak\u201d, \u201cFikirsiz fikir su\u00e7lusu,\u201d diye s\u00f6z ediyordu. Sesi ve saz\u0131 \u00f6nce sokaklar\u0131 ve halka a\u00e7\u0131k t\u00fcm mek\u00e2nlar\u0131 terk etti, sonra g\u00f6r\u00fcnt\u00fcs\u00fc tv. ekranlar\u0131ndan kayboldu. Ahmet Kaya k\u00fcst\u00fc, st\u00fcdyosuna kapand\u0131, telefonu sustu ve yurt d\u0131\u015f\u0131na \u00e7\u0131kt\u0131. \u00d6ld\u00fc\u011f\u00fcnde 43 ya\u015f\u0131ndayd\u0131. \u00d6l\u00fcm\u00fcnden k\u0131sa s\u00fcre sonra K\u00fcrt\u00e7e m\u00fczik kaseti yap\u0131m\u0131 serbest b\u0131rak\u0131ld\u0131; K\u00fcrdistan haritalar\u0131 art\u0131k Pentagon taraf\u0131ndan da\u011f\u0131t\u0131l\u0131yordu.<\/p>\n\n\n\n Ahmet Kaya, siyasalla\u015fm\u0131\u015f kent yoksullar\u0131n\u0131n; toplumun dar kesimlerinde, aile ve arkada\u015f ortamlar\u0131nda k\u0131smi siyasal bilin\u00e7 edinmi\u015f garibanlar\u0131n sanat\u00e7\u0131s\u0131yd\u0131. Ayn\u0131 zamanda bir d\u00f6nem sanat\u00e7\u0131s\u0131yd\u0131. 1970\u2019li y\u0131llarda sokaklarda d\u00f6v\u00fc\u015fen, fabrika kap\u0131lar\u0131nda, okul damlar\u0131nda, mahalle giri\u015flerinde n\u00f6bet tutan, daha sonra cezaevlerini dolduran gen\u00e7 militanlar\u0131n sesi oldu. \u015eark\u0131lar\u0131ndan ya\u011fmurlu sokaklar\u0131n, zindan gecelerin, polis sirenlerinin, yar\u0131m kalm\u0131\u015f duvar yaz\u0131lar\u0131n\u0131n ve toprak kokusunun, yaln\u0131zl\u0131\u011f\u0131n ve h\u00fczn\u00fcn yans\u0131mas\u0131 bundand\u0131r.<\/p>\n\n\n\n Ahmet Kaya\u2019n\u0131n hitap etti\u011fi kesim, i\u015f\u00e7i s\u0131n\u0131f\u0131 bilincinin ve m\u00fccadelesinin biraz muhayyel ve kit\u00e2bi kald\u0131\u011f\u0131; eme\u011fin ucuz, \u00f6rg\u00fcts\u00fcz ve g\u00fc\u00e7s\u00fcz oldu\u011fu; i\u00e7 ve d\u0131\u015f s\u00f6m\u00fcr\u00fc y\u00fcz\u00fcnden gelir farklar\u0131n\u0131n u\u00e7urumla\u015ft\u0131\u011f\u0131 \u00fclkelerde ya\u015fayan ve s\u00f6z gelimi Latin Amerika\u2019da b\u00fcy\u00fck toplumsal d\u00f6n\u00fc\u015f\u00fcmleri ve devrimci at\u0131l\u0131mlar\u0131 ger\u00e7ekle\u015ftiren, kaybedecek \u015feyi ve anlaml\u0131 bir gelece\u011fi olmayan \u00f6zel bir insan toplulu\u011fuydu. Onun sesinin kaybolmas\u0131yla birlikte, il\u00e2hilerin, dini tarikatlar\u0131n, mafyalar\u0131n, apolitik arabeskin bu kesime daha fazla n\u00fcfuz etme imk\u00e2n\u0131 buldu\u011funu s\u00f6ylemek abart\u0131l\u0131 bir sosyolojik g\u00f6zlem mi olur?<\/p>\n\n\n\n Ahmet Kaya, lin\u00e7 edilmi\u015f bir halk sanat\u00e7\u0131s\u0131 olarak \u00f6l\u00fcms\u00fczd\u00fcr; bir d\u00f6neme, zihinlere damgas\u0131n\u0131 vurmu\u015ftur. \u201cGel g\u00f6z\u00fcm, otur bir \u00e7ay i\u00e7elim,\u201d diyerek, b\u00fct\u00fcn bunlar\u0131 onunla da konu\u015fma imk\u00e2n\u0131 olsayd\u0131 ke\u015fke. RED<\/em>, 17 11. 2010<\/p>\n","protected":false},"excerpt":{"rendered":" Yavuz Alogan Yirmi y\u0131l \u00f6nce bu g\u00fcnlerde 12 Eyl\u00fcl d\u00f6neminden \u00e7\u0131k\u0131l\u0131yordu. Beyo\u011flu\u2019nda, Abd\u00fclhak Hamid soka\u011f\u0131nda bir apartman\u0131n ikinci kat\u0131ndaki y\u00fcksek tavanl\u0131 bir dairede sosyalistler toplan\u0131yor, Birle\u015fik Sosyalist Parti\u2019nin kurulu\u015f \u00e7al\u0131\u015fmalar\u0131n\u0131 yap\u0131yorlard\u0131. S\u0131k\u0131y\u00f6netim yeni kalkm\u0131\u015ft\u0131. Geceleri kar alt\u0131ndaki sokaklar \u0131ss\u0131z oluyor, toplant\u0131lar ge\u00e7 saatlere kadar s\u00fcr\u00fcyordu. Apartman\u0131n \u00f6n\u00fcnde bir seyyar \u00e7ay oca\u011f\u0131 belirmi\u015fti. \u00c7e\u015fitli k\u0131l\u0131klara b\u00fcr\u00fcnm\u00fc\u015f … <\/p>\n